Pepper Plant

Something that could give me gifts, plentiful, naughty, delicious.
Peppers, I decided. Rows of them just off the truck, labeled,
Huddled in planters, surging from stems stiff as springs,
Fragile birthers fated to begin. I confined one on my patio,

Pregnant in scruffy leaves, green pods burst into red hearts,
That flirty curve at the tip – wanton wink of artistry,
Growth with sexy grace that made cutting it seem almost wrong,
Pain’s pleasure finally bought and paid for. I bit,

Tongue’s buds aroused in expectation, caressing
The old seasons. My searching mouth, thrilling with the sting
Of peppers from the past, but tasting only tepid whispers
From what seemed to have gone wrong in the growing.

Cloistered in my quickened calendar,
Did it lag behind each sun, mistake the moon’s light?
Root tips, feeling along the hard, unsolvable curve –
Was there confusion, some strange sadness? Or impossible to thrive

In my starved imagination, shaky scaffolding
Of what had happened long before? What pepper could conform

To my blueprint for all good things to be?
Only white scabs where I broke their grip on home,

Bold colors bleached away,
Water choked in shrinking stalks,
A slow, unscripted exit,
The last ones too small
For my plotted summer romance,

Tiny skulls
In my tight fist.

(First published in Last Leaves #8, Spring 2024. Thanks to the editors.)

Monster Alarm

The church bells rang on the hill above my house
While the children played below.

The youngest from another neighborhood
Asked me what it was.

“That’s the monster alarm,” I said.
“It’s how we know when the monsters come.”

And I must admit
To my pride in the look that passed among them,

And I must confess
To a power in the silence of their trusting,

Having led them to the frontier of
My tremendous lie,

Rearing on its haunches,
Darkening our sky.

(First published in Last Leaves #8, Spring 2024. Thanks to the editors.)

Another Cape Story

1
Eyes opening, uncertain time in a different zone,
Walked still trailing sleep to the window by your deck
Where you watched the day writing itself
In lengthening lines of light, each of us awakening
In different ways, my squandered dreams

From last night’s tossing burned away
In the sun’s slow firing,
Still sighted through their shadows
But little left of what they had sewn,
Vague, and, in pleasant ways I never remember,

Inconsequential, slow dissolving leaving me
Neither calm nor worry, slate wiped as clean
As the soft emoting sky above your head,
Clouds exiting stage left. You sat alone
In your copyright of past, present, future,

But perhaps our separate lives could shelve
Both our libraries of experience,
Interleaving on the folio of the forming hour,
Some new play of our perceptions
From true copies of what had gone before.

2

And I entered, eager to hear what you were seeing
Without thinking of your private right
To the day you were creating there alone,
And you looked surprised to see me freed of
The grip of my own sleeping story,
But we waded into the stream of each other’s speech
As easily as summer bathers, and quickly we began
To describe the same things we saw in different ways,
Cape Cod undraped in dark pastels under a squinting sun,
Rising light waxing the pines and oaks below us,

Revealing your tales of other times
When ice sheathed the same branches in another shine,
Other nights when, just to lie closer to the stars,
You pitched a tent on the wooden planking
Where my feet now rest, breathing the same piney air
Sharpening now in me, listening to your past
In a day still unsure of itself, still feeling its way
Out of the sea on the edges of our sight,
As they did long ago, starved and sneaking,
Stealing corn the Wampanoag had offered to their dead,
Mistaken mariners surprised in the drowning,
Desperation, shipwreck, disease, massacre and revenge,
Stories long sown and plowed to silence in the ground below
While our innocent remembering drifts among the salted trees,
Past plaited into present, histories rising from the dark.

(First published inĀ Last Leaves #8, Spring 2024. Thanks to the editors.)

My Day

In my day
we drank hot lemonade
straight from the faucet
and all houses were painted the same color,
a time of sacrifice and laughter,
although we did kick some serious ass
when necessary. Times weren’t so much hard
as horizontal. Televisions were white instead of
black and white, you couldn’t adjust the volume
without a stick shift,
and I never saw so much rain in all my life.

Ministers took names during services, made index cards.
It kept us all praying. Only one radio station,
one song over and over, to this day
I can’t remember which, but I do remember
always waking up to groceries on our doorstep,
not knowing how they got there.
We ate like fiends from Hell. There was no sharing,
it was considered presumptuous. Chemicals fell from the sky,
kept the cars clean. Anger was the default and we loved it.

People sold grenades door to door and no one thought twice,
it kept the prices low. We lived with our diseases, gave them rooms
and a place at the table. Nothing was left out,
miracles not unheard of, but life on Mars? That was
the government’s problem. I mean I can’t believe
what I see in the skies these days,
everyone acting like it’s their business.
The only thing that’s really our business is
our hands and feet,
our own hands and feet. That’s what Daddy said,
and Daddy, well, in my day he was Daddy enough
for you and me both.


(First published in Bond Street Review, Winter 2024. Thanks to editor Eric Evans.)

Why You Should Put an Envelope in the Freezer

There’s a way to remember everything.

It’s a matter of envelopes, and freezers,
forgetting what should go where.

Sure, things are made in China,
made in the USA.
But for whom, and why?

That sort of scissors-looking thing
in the kitchen –
you can’t recall how to work it,
what it’s supposed to do.

But if you made up something new for it to do,
you wouldn’t have to remember

what They wanted you to do with it.
And if you put envelopes in freezers,

sometimes you might remember they are where
they aren’t supposed to be,

and before
frost forms on the glue strip,

your geography blows open. But
you have to start small.

Begin with envelopes, with freezers.
Invent new names and places

to liberate what’s lost and found,
until forgetting is all you do.
And when there is only forgetting,

it’s not forgetting any more.


(First published in Bond Street Review, Winter 2024. Thanks to editor Eric Evans.)